Posts tagged "poetry"
theparisreview:

I’m living on borrowed wine. Last of the light. Only I seem to mind. I sleep to see what I might find.
Yes I been black but when I come back
I want to be anonymous as America. As famous. Market my words. I been treading so long this water into wine— why fight? My tongue hurts. Even with death I flirt.
And if my daddy thinks I’m fine
I’m in love with the light. How it spills across all it touches, burns & blooms. I cave. I parade. I quail. For somewhere I’ve set sail, three sheets to the wind. Don’t tell my mother where I been.
I said No, No, No.
—Kevin Young, “Three Poems to Amy Winehouse”
Photography Credit Noell S. Oszvald

theparisreview:

I’m living on borrowed wine.
Last of the light.
Only I
seem to mind.
I sleep to see
what I might find.

Yes I been black
but when I come back

I want to be anonymous
as America. As famous.
Market my words.
I been treading so long
this water into wine—
why fight? My tongue hurts.
Even with death I flirt.

And if my daddy
thinks I’m fine

I’m in love with the light. How it
spills across all it touches, burns
& blooms. I cave. I parade. I quail.
For somewhere I’ve set sail,
three sheets to the wind. Don’t
tell my mother where I been.

I said No,
No, No.

Kevin Young, “Three Poems to Amy Winehouse”

Photography Credit Noell S. Oszvald

theparisreview:

In Magritte’s painting Les Amants a man and a woman arekissing. But it can’t be much fun because they havecloths over their heads so they can’t see each other.I know two lovers who could not see each other correctly.They kissed a lot but what they saw was not really theother person. It was a person each one had made up. Thismade them unhappy but they couldn’t stop doing it. Theyhad to make each other up.—James Laughlin, “Les Amants”Art Credit René Magritte

theparisreview:

In Magritte’s painting Les Amants a man and a woman are
kissing. But it can’t be much fun because they have
cloths over their heads so they can’t see each other.
I know two lovers who could not see each other correctly.
They kissed a lot but what they saw was not really the
other person. It was a person each one had made up. This
made them unhappy but they couldn’t stop doing it. They
had to make each other up.

James Laughlin, “Les Amants”
Art Credit René Magritte

A Supermarket in California

What thoughts I have of you tonight Walt Whitman, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon.
In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations!
What peaches and what penumbras! Whole families shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!—and you, Garcia Lorca, what were you doing down by the watermelons?

I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys.
I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel?
I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective.
We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier.

Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight?
(I touch your book and dream of our odyssey in the supermarket and feel absurd.)
Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we’ll both be lonely.
Will we stroll dreaming of the lost America of love past blue automobiles in driveways, home to our silent cottage?
Ah, dear father, graybeard, lonely old courage-teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe?

Berkeley, 1955

A Supermarket in California by Allen Ginsberg : The Poetry Foundation

paperdarts:

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Volume 4, our newest baby, includes—

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Fiction stories: 14
Illustrations: 14
Poems: 12
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Interviews: 18

Zang.

I. Want.

You think I’m not a goddess?
Try me.
This is a torch song.
Touch me and you’ll burn.

Helen Of Troy Does Countertop Dancing, Margaret Atwood (via literary-quotes)

“Speaking of which, it’s the smiling
tires me out the most. 
This, and the pretence
that I can’t hear them.”

(via thirdeyeblinking)

For Colored Girls Who Have Considered Suicide/ When Rainbows Are Enuf

fashionablytardy:

“somebody/ anybody
sing a black girl’s song
bring her out
to know herself
to know you
but sing her rhythms
carin/ struggle/ hard times
sing her song of life
she’s been dead so long
closed in silence so long
she doesn’t know the sound
of her own voice
her infinite beauty
she’s half-notes scattered
without rhythm/ no tune
sing her sighs
sing the song of her possibilities
sing a righteous gospel
let her be born
let her be born
& handled warmly.” 

In love, his grammar grew
rich with intensifiers, and adverbs fell
madly from the sky like pheasants
for the peasantry, and he, as sated
as they were, lolled under shade trees
until roused by moonlight
and the beautiful fraternal twins
and and but. Oh that was when
he knew he couldn’t resist
a conjunction of any kind.
One said accumulate, the other
was a doubter who loved the wind
and the mind that cleans up after it.
For love
he wanted to break all the rules,
light a candle behind a sentence
named Sheila, always running on
and wishing to be stopped
by the hard button of a period.
Sometimes, in desperation, he’d look
toward a mannequin or a window dresser
with a penchant for parsing.
But mostly he wanted you, Sheila,
and the adjectives that could precede
and change you: bluesy, fly-by-night,
queen of all that is and might be.
In Love, His Grammar Grew by Stephen Dunn : Poetry Magazine
Suppose I were to eat you
I should probably begin
with the fingers, the cheeks and the breasts
yet all of you would tempt me,
so powerfully spicy
as to discompose my choice.

While I gobbled you up
delicacy by tidbit
I should lay the little bones
ever so gently round my plate
and caress the bigger bones
like ivory talismans.

When I had quite devoured the edible you
(your tongue informing my voice-box)
I would wake in the groin of night
to feel, ever so slowly,
your plangent, ravishing ghost
munching my fingers and toes.

Here, with an awkward, delicate gesture
someone slides out his heart
and offers it on a spoon,
garnished with adjectives.
The Amorous Cannibal by Chris Wallace-Crabbe : The Poetry Foundation
I have bi-racial hair because I have bi-racial blood. And I’m not talking about that cute “They met and fell in love” blood. I’m talking about that slave raped 6 times by the master,birthed 6 mixed babies and later hung, blood. I’m talking about that cross burning in the mud,blood. And you call me a mud blood? Slit my wrists, my blood does not excrete in black and white. I bleed in verse and in red, like what dripped from Emmett Till’s lips when he was killed for breaking the colored lines.

Bi Racial Hair Poem (via blck-grrl)

I remember watching the video this is from a couple years ago and just trembling. So much truth in this. This is why I do not take it as an inherent compliment when people comment on my mixed race appearance.

(via siddharthasmama)

Wasn’t she 13 when she did this? THIRTEEN. floored.

(via thirdeyeblinking)

Yep. Now she is a rising junior at Yale. Time flies.

(via shepherdsnotsheep)

(via shepherdsnotsheep)

To A Dark Girl by Gwendolyn Bennett

I love you for your brownness,
And the rounded darkness of your breast,
I love you for the breaking sadness in your voice
And shadows where your wayward eyelids rest.

Something of old forgotten queens
Lurks in the lithe abandon of your walk
And something of the shackled slave
Sobs in the rhythm of your talk.

Oh, little brown girl, born for sorrow’s mate,
Keep all you have of queenliness,
Forgetting that you once were slave,
And let your full lips laugh at fate!

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a little blog by absolutleigh... and she's doin' it big for the lovers.

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